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Come and make a tour „on the way“ in a „time travel“ and leave yourself „circling and traveling in the omnipresent and eternal universum“. And so a moonface enclosed with dark blue-blacked colour announces us. Four little balls in lilac, red, blue and brown surround the face from an irregular distance. They stand for the four elements earth, air, fire und water. Finally, by this paintings it is advised that one stands close to the the picture but without touching it. Then one can absorbe the fragance, which exudes from most of the paintings. It emits from the beeswax in which pigments are melted. Painting grounds are jute, linen or wood. In this case it is a matter of multilayered works because beeswax drys rapidly and remains so fixed. Through the process of painting, the traces of painting are preserved. Pakery applies layer by layer, once thicker, once thinner, she scarifies, scrapes and scratches in them and uses different tools such us palette knife, spatula, scraper, notched trowel, etc. From time to time she weaves things from nature such as tried rose leaves into the paintings such as in the hudge landscaped artwork „eternity“. Here she has used her whole arms length to paint bright oval circles of blue shadowed ground. The space round about the bright-yellowish white ribbons of cosmic appearance is serval times overworked. A turned over elangated elegant bowed magic of rose leaves brings the artwork into another, even the „fifth season“. Her implementation of many wax layers put on top of each other is the characteristic in the artwork of Pakery. And sometimes one is supposed to stand in front of a multiplicity of layers formed by the earth, whose genesis has been developed from the natural cycle of the life. A modus operandi of the Mixed Media artist Pakery which has her own signature.
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